In the closing scene of the 1924 film Epic of Everest, a blood-red sunset sinks below the horizon of the Himalayans in Tibet. Photographer Captain John Noel captured the brutal conditions and desolation of the landscape, as well as the humanity and courage of the Tibetan people. Epic of Everest is one of the earliest visual recordings of life in Tibet. As well as documenting their lives, the film also framed the assault on Mount Everest by the British in the 1920’s by George Mallory as an act of imperial conquest. This is shown most clearly when, despite the climbing teams’ admiration for the hardiness of the Tibetans, they announce with clear relief “All whites are safe!” during an avalanche. The accident claimed the lives of seven of their porters. Epic of Everest is one of many examples of the fraught and complicated relationship between the wealthy climbers who hire them and the native Sherpas of Everest. Read the rest of this entry »